to rigor, rage, and courage…
Written as an introduction to Mark Fisher’s 2012 essay “Post-Capitalist Desire,” this text was featured in the accompanying publication to The Fisher-Function public program series.
Built upon the intricately sketched landscape of Capitalist Realism, at the heart of the naturalised order of appearances assumed to render all alternatives impossible, ‘Post-Capitalist Desire’ is a climax in Mark’s commitment to envision a future for the left. It calls into question capital’s long-established monopoly on desire.
Why should a desire for technology and consumer goods appear necessarily to mean a desire for capitalism? The conflation, Mark argues, results from capital’s opportunist aligning of technology and desire. This occurs on capital’s own terms when “anti-capitalism entails being anarcho-primitivist”: finding solutions in a self-organizational ‘organicist-localism’ while maintaining a stance that is anti-technological, anti-mass production. An explicitly antagonist left falls short of gaining traction on the libidinal flows of social drive that are already animated by capital and are further enabling its processes in return.
A post-capitalist politics begins with affirming that this structural antagonism should therefore be reconsidered because of its being heedless of capital’s programmed reality. But it also refuses to remain caught up in ideology critique, circumscribed under the crust of complaint and denunciation. To strategize against capitalism is to summon and reclaim the possible “Real(s) underlying the reality that capitalism presents to us.”1
Mark identifies the challenges that a future-oriented left needs to face by tying conservative, reactionary statements that hold up capital’s techno-libidinal conflation to a certain strand in the writings of Nick Land from the 1990s. Via Land—the ‘avatar of accelerated capital’—Mark exposes how the prime mandate of capitalism is to capture libidinal circuitries and channel public desiring in certain directions rather than others.
As Mark calls them elsewhere, “libidinal technicians”2 have embedded their parasitic mechanisms into everyday life and grown their ‘semiotic excrescences’ on the bodies of individuals. It is then made clear that a traditional ‘leftist-Canutist’ attitude is incapable of desire-engineering. It is fundamentally opposed to such engineering in its anti-libidinal insistence on conservatism: “preserving, protecting and defending”.
Determined to break from Landian thanatophoric fatalism, Mark incites a post-capitalism commensurate with the ‘inorganic nature of libido’—the death drive. This is not a desire for death or for the extinction of desire, which is characteristic of both the apocalyptic acceleration of deterritorializing processes and of the ‘ascetic-authoritarian’ measures imposed by communist states. Rather, it is a desire to push an organism’s life out of obdurate homeostasis, away from a life forcefully lived along the lines of preservation and protection.
In ‘Utopia as Replication’, Fredric Jameson turns to Marx to restate that destratifying forces of capital tend toward “the centralization of the means of production and the socialization of labor.”3 In other words, capital tends towards the emergence of the General Intellect and the growth of monopoly, of a reterritorialised extremity after ultimate deterritorialisation. Jameson, in a self-admittedly perverse move, tends to identify this monopoly, best exemplified in the post-Fordist context of late capitalism by the largest company in the world, Wal-Mart, as a utopian phenomenon.
Mark argues for a turn from the anti-capitalist ‘no logo’ call to a post-capitalist ‘counterbranding’ via Jameson’s outlining of a utopian method, where a logical operation of inverted genealogy was attempted—a genealogy of contingent futurities. To locate utopian impulses in the preconditions that are already reserved in the present is to target that which was promised by the cultural revolutions of the left and yet was never delivered; spotting the ‘residual’ only to leave it in search of the ’emergent’.
The demand of this pursuit of abandoned promises is to address and rework substructures that lend support to the apparent reality, away from the underlying Real(s) and fundamentally designed against the fulfillment of desires—only feeding and stimulating them enough to be always worthy of capture, ready to be milked. Hence the recovered evocation of ‘designer socialism’, in the absence of which the design of capitalist realism has been made to appear unrivaled.
It is then evident that the Landian take on the death drive and the ‘historical-machinic force of libido’ is biased against taking the reterritorializing turn, deeming it impossible, or its possibility insignificant. However, it is in the course of this turn that the left needs to implement its ‘counterlibidinal’ politics. “[D]isarticulating technology and desire from capital”, while simultaneously intensifying the processes of deterritorialization only in the manner of “de-anchoring […] the libidinal fragments from the capitalist sigils with which they are arbitrarily articulated”, as Mark prefigured in ‘Digital Psychedelia’, an essay on The Otolith Group’s Anathema.4
To march toward and build (around) an Acid Communism requires “a new use of digital machinery, a new kind of digital desire: a digital psychedelia, no less. […] It dilates time; induces us to linger and drift”, as it “rediscovers the dream time that capitalist realism has eclipsed.”5 To host post-capitalism is to expand the presumably unaffordable spans of time from the side of the future. As Jameson maintains, “[s]uch revival of futurity and of the positing of alternate futures is not itself a political program nor even a political practice: but it is hard to see how any durable or effective political action could come into being without it.”6
 Mark Fisher, Capitalist Realism: Is There No Alternative? (Zero Books, 2009), p. 18.
 Mark Fisher, ‘How To Kill a Zombie: Strategizing the End of Neoliberalism’, in openDemocracy. 18 July 2013.
 Karl Marx, Capital, Vol. 1 (Penguin, 1976), p. 929.
 Mark Fisher, ‘Digital Psychedelia: The Otolith Group’s Anathema’, in Death and Life of Fiction: Modern Monsters – Taipei Biennial 2012 Journal (Spectormag, 2014), pp. 160–166.
 Fredric Jameson, Valences of the Dialectic (Verso, 2009), p. 434