Archive

♦ A Carrier Bag Theory of Friction and Other Haptic Drama: On the Films of Maryam Tafakory (2022)

♦ Hoda Kashiha’s Paintings Evoke the Space of the Screen (2022)

♦ The Moving Matter of Film (2022)

♦ [review] Archived Opposition: “Art for the Future” at Tufts University Art Galleries (2022)

♦ Documentation, Speculation, and Pattern Recognition: Toward a Media History of Modern and Contemporary Art (2021)

♦ Ethnofuturity and the Many Ends of (World) History (2021)

♦ An Introduction to Ethnofuturisms (2021)

♦ The Geopolitical Ontology of the Post-Optical Image: Notes on The Otolith Group’s Sovereign Sisters (2021)

♦ Earthbound: Notes on Sahej Rahal’s Bashinda (2021)

♦ Fucking with the Human Outline: Notes on Zach Blas’s SANCTUM (2021)

♦ Notes on the Hungarofuturist Manifesto (2020)

♦ Letters against Separation (2020)

♦ Notes on Class, Labor, and the Moving Image (2020)

♦ Toward a Comparative Futurism (2019)

♦ National Identity Meets Digital Nativity: Memes, Counter-Strike, and Black Metal in the Works of Shabahang Tayyari (2019)

♦ On the Installation Shots of Contemporary Art Exhibitions (2019)

♦ [review] “Shilpa Gupta and Zarina: Altered Inheritances “ at Ishara Art Foundation (2019)

♦ On the Works of Morteza Ahmadvand, Ghazaleh Hedayat, and Sahand Hesamiyan (2019)

♦ Ethics of Time Travel: Toward a Comparative Futurism (2019)

♦ CAD Conspiracy: Pattern Recognition in Contemporary Art (2019)

♦ Peer Pressuring the Past, Future-Fictioning the Present: On the Films of Bahar Noorizadeh (2018)

♦ “What Was Gulf Futurism” (2018)

♦ A Butterfly Effect Across the Chronosphere (2018)

♦ Ethnofuturisms (Merve Verlag: 2018)

♦ Notes From the Attic: Displaying the Material History of the CIA (2018)

♦ EXIT: A Postcard from Tehran (2018)

♦ Tehran Behind the Screen (2018)

♦ “Post-Capitalist Desire”: An Introduction (2017)

♦ The Exhibition Whisperer: Auto-Italia South East and Image-Sharing Technologies (2017)

♦ Instrumental Xenotation (2017)

♦ Objective Hyperreality vs. Hyperobjective Reality (2017)

♦ Despotic Ophidiophobia (2017)

♦ This Is the Sea, Isn’t It? (2017)

♦ August 3, 2016: After Pak Sheung-Chuen (2016)

♦ Trans-Temporal Perspectives (2016)

♦ An Alternative Entry in Five Moves (2016)