Archive


♦  A Carrier Bag Theory of Friction and Other Haptic Drama: On the Films of Maryam Tafakory (2022)

♦  Hoda Kashiha’s Paintings Evoke the Space of the Screen (2022)

♦  The Moving Matter of Film (2022)

Archived Opposition: “Art for the Future” at Tufts University Art Galleries (2022)

♦  Documentation, Speculation, and Pattern Recognition: Toward a Media History of Modern and Contemporary Art (2021)

♦  Ethnofuturity and the Many Ends of (World) History (2021)

♦  An Introduction to Ethnofuturisms (2021)

♦  The Geo-Political Ontology of the Post-Optical Image: Notes on The Otolith Group’s Sovereign Sisters (2021)

♦  Earthbound: Notes on Sahej Rahal’s Bashinda (2021)

Fucking with the Human Outline: Notes on Zach Blas’s SANCTUM (2021)

♦  Notes on the Hungarofuturist Manifesto (2020)

♦  Letters against Separation (2020)

♦  Notes on Class, Labor, and the Moving Image (2020)

♦  Toward a Comparative Futurism (2019)

♦  National Identity Meets Digital Nativity: Memes, Counter-Strike, and Black Metal in the Works of Shabahang Tayyari (2019)

♦  On the Installation Shots of Contemporary Art Exhibitions (2019)

Shilpa Gupta and Zarina: Altered Inheritances at Ishara Art Foundation (2019)

♦  On the Works of Morteza Ahmadvand, Ghazaleh Hedayat, and Sahand Hesamiyan (2019)

♦  Ethics of Time Travel: Toward a Comparative Futurism (2019) 

♦  CAD Conspiracy: Pattern Recognition in Contemporary Art (2019)

♦  Peer Pressuring the Past, Future-Fictioning the Present: On the Films of Bahar Noorizadeh (2018)

♦  “What Was Gulf Futurism” (2018)

♦  A Butterfly Effect Across the Chronosphere (2018)

♦  Ethnofuturisms (Merve Verlag, 2018)

♦  Notes From the Attic: Displaying the Material History of the CIA (2018)

♦  EXIT: A Postcard from Tehran (2018)

♦  Tehran Behind the Screen (2018)

♦  “Post-Capitalist Desire”: An Introduction (2017)

♦  The Exhibition Whisperer: Auto-Italia South East and Image-Sharing Technologies (2017)

♦  Instrumental Xenotation (2017)

♦  Objective Hyperreality vs. Hyperobjective Reality (2017)

♦  Despotic Ophidiophobia (2017)

♦  This Is the Sea, Isn’t It? (2017)

♦  August 3, 2016: After Pak Sheung-Chuen (2016)

♦  Trans-Temporal Perspectives (2016)

♦  An Alternative Entry in Five Moves (2016)