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Toward a Comparative Futurism , catalogue essay, Cosmological Arrows (Curator: Caroline Elgh Klingborg) , Bonniers Konsthall, Stockholm (2019). #timetravel
, a profile on Shabahang Tayyari, National Identity Meets Digital Nativity Canvas Magazine, no. 15, vol. 14 (Jul/Aug 2019).
On the Installation Shots of Contemporary Art Exhibitions, catalogue essay, thing, aura, metadata. A poem on making. (Curator: Seda Yildiz), Parallel Platform, PhotoIreland Festival, Museum of Contemporary Photography of Ireland, Dublin (2019).
“The Abandoned Equivalent”: Abstract Forms and Concrete Shapes in the Works of Sahand Hesamiyan , catalogue essay , The Spark Is You (Curator: Ziba Ardalan) , Parasol Unit, London (2019).
The Grid and the Scratch: Tracing the Sensible in the Works of Ghazaleh Hedayat , catalogue essay, The Spark Is You , Parasol Unit, London (2019).
Beneath and Beyond: States of Transition in the Works of Morteza Ahmadvand , catalogue essay, The Spark Is You , Parasol Unit, London (2019).
, Shilpa Gupta and Zarina at Ishara Art Foundation art–agenda (June 2019).
CAD Conspiracy: Pattern Recognition in Contemporary Art (with Bahar Noorizadeh, Chris Tegho, Ho Rui An, and others), Generative Adversarial Network, video-essay installation, lecture performance, panel discussion, screening, etc. (2019–ongoing).
, lecture at Art After Culture, “ Ethics of Time Travel: Toward a Comparative Futurism The Twilight Symposium: Science Fiction Inside Colonialism ,” e-flux journal + La Colonie , Paris (February 2019). #timetravel
, brochure text, Peer Pressuring the Past, Future-Fictioning the Present Bahar Noorizadeh: Governing Machines and the Future of Futures, Mercer Union, Toronto (October 2018).
(with Ahamd Makia), in “What Was Gulf Futurism” ZIGG: Superficial (2018). #timetravel
, Notes From the Attic: Displaying the Material History of the CIA Cabinet, issue 65 (Fall 2017–Winter 2018).
, A Postcard from Tehran Spike Art Quarterly, No. 57 (Autumn 2018).
, Tehran Behind the Screen Domus, No. 1027 (September 2018).
, lecture at A Butterfly Effect Across the Chronosphere Armen Avanessian & Enemies #30: Ethnofuturisms , Roter Salon, Volksbühne, Berlin (September 2018). #timetravel
Ethnofuturismen , co-edited with Armen Avanessian (Berlin: Merve Verlag, 2018). #timetravel
, summative essay for MA special subject The Politics of Surplus: An Affirmative Strategy of Resistance Geopoetics, Goldsmiths, University of London (2016–2017).
, panel presentation at ((Un)doing) Art Criticism in Iran Critics & Criticism: Reflections on Iranian Contemporary Art, Iran Heritage Foundation and the British Council, London (September 2017).
MRes Curatorial/Knowledge dissertation, Goldsmiths, University of London (September 2017). The Double and Time: Chronopolitics and Queer Futurity in the Circuits of Dead Ringers,
, blog post (September 2017). Instrumental Xenotation
, blog post (July 2017). Objective Hyperreality vs. Hyperobjective Reality
, blog post (July 2017). Despotic Ophidiophobia
, in “Post-Capitalist Desire” The Fisher-Function (London: EGRESS, 2017), 13–17.
, catalogue essay for This Is the Sea, Isn’t It? This Is the Sea at artmonte-carlo, Monaco (April 2017).
Contract of , blog post (February 2017). Identification with Pain or A Child’s Instantaneous Desire for Aging
🚨💭, blog post (January 2017).
, The Exhibition Whisperer Spike Art Quarterly, online (January 2017).
, Trans-Temporal Perspectives PNYX, issue 24 (London: Two Press and Architectural Association, 2016).
, blog post (November 2016). The Aesthetics of Afterlife
, blog post (August 2016). August 3, 2016: After Pak Sheung-Chuen
, blog post (June 2016). An Alternative Entry in Five Moves